 |
International
Conference on
Post-Modernism
& Contemporary Art
27 April - 1 May 2002
|
In the ever-changing art scene of the 20th century, which was in a race against time, new styles and schools emerged. Artists and thinkers alike were bent on creativity, innovation, emotions, personal experiences and ingenuity. The developments of the latter half of the century led to a phase beyond modernism commonly referred to as a 'post' era: post-industrial, post-metaphysical, post-structural, post-modern, etc.
One of the most significant and prevailing speculative issues of our time is the philosophy of post-modernism and thus the critique of modernity. Initially, the western concept of post-modernism arose in the field of architecture.It was then applied to other forms of art : music, painting, cinema, literature, literary criticism, etc. and was eventually used to characterise the social, economic, cultural and political aspects of contemporary life. However, no precise and agreed definition of post-modernism has as yet been provided to the plurality of thinkers who have discussed it and the diversity of their viewpoints. Needless to say this reflects the peculiar character of post-modernism:by its very nature it resists exact definition and is not bound by any single interpretation.
what is important however is that post-modernism is the continuation of modernity and of the spirit of an age, which commenced with the Renaissance and evolved into our present-day condition. Some Western philosophers even hold that post-modernism is an attempt at resolving the exigencies of modernity and contemporary man's problems. Hence, questioning the nature of modernity is fundamental to examining post-modernism. Without an intelligent discernment of modernity, and the question of its nature and essence, one can not hope to understand the insights and relevance of post-modernism.
This conference aims to study contemporary art with reference to the speculative principles of post-modernity and modernity.
The State of Contemporary Art
The Problems of Contemporary Art:
-
Aesthetics in Contemporary Art
-
The Fine Line between Artistic & Non-Artistic Work
-
The Language & Expression of Contemporary Art
-
Contemporary Literature & Art
-
Contemporary Art & Technology
-
Globalization & Contemporary Art
-
Post-Modern Art: Features & Characteristics
-
The End of Art
Post-Modernism & Trends of Contemporary Art:
-
Minimalism
-
Conceptual Art
-
Land Art
-
Video Art
-
Body Art
-
Anti-Art
-
Local Art
-
Feminism
-
Post-Modern Architecture
Theoretical Origins of Post-Modern Art
Theoretical Principles of Modernism from the viewpoint of Modern Philosophers:
-
Humanism
-
Rationalism
-
Subjectivism
-
Nihilism
-
Aesthetics
-
Enlightenment
Historical Analysis of Modernism:
-
Renaissance
-
Industrial Revolution & Capitalist System of Production
-
Modern Science & Technology
-
God & Religion in the Modern Era
Historical & Theoretical Principles of Post-Modernism:
-
Definitions of Post-Modernism
-
A Survey of the Historical & Social Conditions of
Post-Modernism
-
A Critique of Modernism as offered by Marxism
-
Freudian Critique of Modernism
-
A Critique of Modernism from the viewpoint of Nietzsche
-
A Critique of Modernism from the viewpoint of Heidegger
-
Philosophical Trends Shaping Post-Modernism (the Frankfurt School, Existentialism, Wittgenstein, etc.)
-
Hermeneutics & the Philosophy of Post-Modern
-
Post-Modern Philosopher's Thoughts (Derrida, Foucault, Lyotard, etc.)
-
A Post-Modernism Critique of Modernism
-
A Critique of Post-Modernism: Habermas
-
Post-Modernism & Trans-Modernism
|
| Session
16-20 |
Panel Discussion 9-12 |
|
Saturday,April
27,2002
1-Prof. Henry Cloud Cousseau President, École
Nationale Supérieure des Beaux –Arts
Topic:
Modern ou Post – Modernà propos de quelques
artistes Francaise
2-Prof. Laurent Lebon
Vice-President, Centre Pompidou Musée
National d’Art Moderne centre de création
Industrielle
Topic: L’Art public en France
|
|
|
Sunday
April 28 ,2002
1-Prof. Antonio Passa,
Director, Accademia di Belle Arti (Roma)
Topic: Contemporary Art from Marcel Duchamp to
Pop Art
2- Prof. Cecillia
Casoratia
Vice-President , Accademia di Belle Arti
(Roma)
Topic: Video Art
|
1-Prof. Henry Cloud Cousseau
2-Prof. Laurent Lebon
Topic: Contemporary French Art
|
|
Monday
April 29,2002
1-Prof. Edward Lucie-Smith,
Art Historian
Topic: Digital Technology on Contemporary Art
2- Mrs. Anna Allemandi,
Editor-in-Chief, Art News Magazine
Topic: Land Art
|
1-Prof. Antonio
Passa,
2-Prof. Cecillia Casorati,
Topic: Contemporary Art Classification
3- Prof. Erjavec,
Topic: Pictorial Turn
Tues.
|
|
Tuesday
April 30,2002
1-Mrs. Joyce Kozloff,
Artist
Topic: Feminism
2-Mrs. Iris Muller Westermann
Curator, Modern Museum , Stocholm, Sweden
Topic: Globalization & Contemporary Art
|
1-Prof. Edward Lucie - Smith,
Topic: Conceptual Art
2- Mrs. Anna Allemandi,
Topic: The Fine Line between Artistic & Non-Artistic
Wed.
|
|
Wednesday
May1,2002
1-Prof. Ales Ejavec,
Ex- President, International Association for
Aesthetics
Topic: End of Art
2-Prof. Wolfram Hogrebe,
Director, Institute of Philosophy, Germany
Topic: Das Schicksal der Modernen Künst
|
1-Mrs. Joyce kozloff,
2-Mrs. Iris Müller Westermann,
Topic: Feminism
|
Please note that participation in panel discussions require prior registration.
Lectures are open to the general public.
North Kargar Ave. Next to Laleh Park, Tehran Museum of Contemporary Art

|
 |